Alla inlägg under juli 2024

Av Creative reader - 25 juli 2024 09:45



Happy Thursday and Welcome to this weeks "In the Spotlight".

Today I will introduce you to the multi talented Dominic J Mason.

 

 



Hi Dominic and Welcome!



Growing up. What sparked that interest to create? and where did you start?

 

My imagination - for good or ill - distinguished me from many of my peers at an early age. I love people, but I could also play with chess pieces or action figures in blissful solitude, often not realising that the hours had passed me by until my grandmother called me down from the landing on the stairwell to eat dinner. I adored the movements of the pieces on the squares and would often play against myself, turning the board around to answer my own move. During these formative years, I remember spending days designing what I considered to be the ultimate Lego Formula One cars and racing them with my brother in my grandfather's living room. The cars would glide along the carpet at speed, eventually hitting the oak table with a thud! This would result in them either falling apart or desperately clinging on...and so, looking back on this I understand that the race wasn't about speed, it was more about durability. The winner was often the car to survive the most impacts!

 

 

As a child, was creativity something that was encouraged or did you have to fight to find your voice as an artist?

 

My grandfather enrolled me in the church choir at age 6. I was their youngest chorister ever admitted at that time, and I recall the director being a little reluctant to accept me on account of my age, but I had wanted to join my brother as a treble so badly that my constant questioning paid off! My grandfather was a trained tenor and could play piano to a competent level, so he naturally took us both under his wing. Joining the choir was the catalyst to expressing myself with music, it was also a gateway to hearing other instruments such as the pipe organ, pianoforte, and, later on, string ensembles. Singing taught me many of the skills I cherish to this day, discipline, teamwork, patience, and relishing the joy of ensemble musicianship. I quickly fell in love with the pianoforte not long after this. And the discovery of Beethoven, Chopin, Liszt, and Tchaikovsky blew my tiny mind.

 

 

What was it that made you realize that this was MORE than just a "hobby"?

 

The word 'phases' strongly defines my musical history. I was obsessed with the piano when I was a boy, and several tutor's told my mother that I had potential. I always wanted to strive for more, which was an attribute that often frustrated my teachers. I would defy their rules and practice different (usually more difficult) pieces and get carried away with my latest passion for a newly discovered composer. As a teenager, it was evident that I could create melodies and harmonic structure on the piano, which led me to begin composing and writing things down. It was around this time (aged 14-16), that I began to develop an early voice as both a composer and a writer of poems. 

 

 

How do you feel your creative style has changed over the years and what have been the biggest reasons for that growth/change?

 

Without labouring the point about phases, I have gone through so many in my journey thus far. Usually it happens because of a concert I've attended, or a new style of music has entered my life because of study or perhaps due to hearing it played on the radio. I am a voracious reader...consuming books and films by the thousands as an adolescent really gave me a thirst for knowledge, a thirst that has been unquenchable ever since. At this point in my life, at the age of 36, I have composed in so many styles but thankfully never been defined by a single genre, I like to think of it as more of a mosaic of culture coming together and combining to form the whole. My Poulenc, Schumann, and - later - Mompou phases lasted for about a year apiece and really pushed my music to another level I feel. My later fascination with the 20th century impressionists and the avant-garde set aided me in composing my 2021 piano album 'Songs for John' which incorporated many elements of the French and Japanese style, including wispy piano lines, repetitive pianist devices, and salonesque motivic allusions.

 

 

How would you describe your writing and music to someone that is new to it?

 

My writing is inspired by many of the great novelists and poets from the 17th century to modern day, and therefore it is hard to describe it. But you asked, so I will try: Literary magical realism with a dash of poetic prose?! I am aiming for a fusion of Tolkien,  and Larkin...with the poise of Yeats and the intrigue of Chekhov! Haha. 
 

My musical tastes are eclectic, both as a listener and as a recording artist/performer. I am equally happy performing my own solo piano repertoire or classical music, and the next day playing a jazz gig or an indie set at a festival. My latest adventure as a recording artist has been a collaboration with my longtime friend Adam Strazzanti. We have known each other since Year 7 at secondary school and have long talked about setting up a duo in the future. Well, we did just that this year! We called it 'Robot Birthday Party' which we think was inspiration from when NASA put a robot on a spacecraft and programmed it to sing itself happy birthday...you cannot deny that the idea is adorable! Adam and I took the approach of not writing in a predefined genre, but instead to let it flow naturally. The result has been a type of music that somehow defies pigeonholing, though someone did DM us to suggest that they would call it Latin funk jazz rock! Even though there's no denying that there are classical influences in it, we are happily stealing her definition going forward...! We have released two singles in 2024, the latest (California Sunset) dropped a fortnight ago. 

 
I have always maintained a creative output across multi-disciplines, film, writing, composing, performing etc. I think this has helped me to avoid spreading myself too thinly when creating and has enabled me to switch between projects when my energy dictates a shift. My productivity has really flourished because of this strategy, in addition to Robot Birthday Party, I am directing a film I have recently written, which stars the incredible Cameron Moon, another lifelong friend and collaborator. This will be released in the winter of 2025. I hope to have published a novel and to have had my first poetry pamphlet published shortly, too! The pamphlet is written in memory of my father and stepfather, and has been utterly cathartic to create. Cathartic...yet immeasurably rewarding. 
 
Last but not least, at the beginning of the year, I started a poetry podcast on Spotify. It has allowed me the space to share my favourite poets and poems, and to wax lyrical about the arts. It is called 'The Dominic Tapes.' I would love to welcome new poetry lovers to that lovely community! 
 
 
What are your biggest dreams as an artist?
 
In my teens I would have said winning an academy award for best musical score. In my early twenties I would have likely said something more apathetic and nonchalant (to sound cool!). More recently, since approaching thirty and then drifting into my mid-thirties, I have matured a lot as a person due to events such as losing my birth father and my step father in quick succession, and have gone through a chunk of therapy and self-healing due to ongoing struggles with depression. Part of me still wants to say something grand like winning the Pulitzer for fiction or something similar to that, but honestly? I get the most pleasure from a person reaching out to tell me that my piano music has impacted their life, or that their parents listen to it in the morning. Someone reached out to me to say that they play my piano music on their balcony in Athens for their family breakfast time...this moved me deeply and has stayed with me for years! I am fortunate to know firsthand that my music and words have impacted people and made some kind of difference to them emotionally, and I think that above all else is the dream of the artist.
 
 
What is the one thing you would like your fans to know?
 
Firstly, I would be honoured to know that I had fans! And secondly, no matter who tells you that you shouldn't pursue your creative endeavours, nor how many times this is repeated, ignore it and follow your passions. Most of the time they are just projecting their own selfish insecurities onto you. Don't allow their regrets to become yours. Don't allow their judgments to impact your nature...I headbang to Mahler and Sibelius and I am proud of it!
 
 
What is the one thing you would like the music industry to know?
 
I would remind them that they are fortunate to have these vast pools of talented people at their disposal and to attempt to cherish them instead of taking them for granted. I'd ask them to consider putting artists' livelihoods at the top of the priority tree instead of capitalism. And that showing a dose of empathy and compassion when dealing with fellow humans goes a long way. 
 
 
This was my chat with Dominic J Mason, and I hope you enjoyed reading it as much as I enjoyed writing it.
 
 
All YOU have to do now is to Like, Comment and Share with you friends..
and click on these links to find out more about Dominic J Mason!
 
 
 
 
 
 
 
Av Creative reader - 18 juli 2024 06:15



Hi and welcome to this weeks "In The Spotlight".
Today I have the huge pleasure to have a chat with solo artist Mark Heffernan
 
 
 
 
Hi Mark and Welcome.
 
Your profile on Insta names your Genre as "Nomad" which actually is something new for me.. What does "Nomad" mean?
 
Well, to me it means i don’t have to stay in one place. I am not limited or defined by the narrow confines of a scene or sound. I use it to allow me to roam free synthesising the parts of all of my eclectic taste. Taking a bit here, remaking a bit there. All filtered through my own personal noir lens. So to me a genre nomad is a musician not tethered or fettered by my own limitations. This is probably a reaction to a previous band and how we became prisoners in an ever-narrowing sound. The walls of our own limits began to strangle creativity. I am determined to avoid that fate twice.
 
 
Did you start out as a musician or was that something you grew into?
 
As long as i can remember i have played. I started piano lessons aged 4 and a half.
Interestingly, i used to define myself as a musician. Now i think of myself more as an artist whose medium is music.
 
As a teen i was a guitarist. I lived for playing the guitar, especially live. I practised for hours every day and was in bands whose prime role was to give me a space to play guitar in front of people.
 
In my twenties i was a guitarist, a songwriter and a backing singer in a band. This was as a result of an understanding that if I wanted to be successful, I needed to write songs. I was lucky that i had bandmates who helped me and by this time i had studied guitar for a year at the Guitar Instutute in London, which very much showed me what i didn’t want to be. I wanted to collaborate and make something new. Not retread old ground, play covers or other people’s music. Nothing against that but it wasn’t for me.
 
These days i view what i do as little art projects and i use whichever instruments i think will help me to realise that idea. I play guitar, piano, keyboards, synths, programme drum machines, sing. Whatever is needed to get an idea from my head to being a piece of music.
 
 
Growin up, which influenced your music style the most? Both as and artist and as a listener.
 
Well, my life changed when I heard Hendrix. I suddenly had a purpose: to learn how to do that!
I became an avid fan of 60s rock and some 70s stuff, basically anything where i liked the guitars. Then aged about 13/14 i discovered Indie music and that became my next big obsession. For me it was never really the lad rock side of things, it was always the more pop and angular side of britpop and then like an archaeologist I worked backwards through indie and post punk.
I was lucky to have a lot of people with good taste from whom i could take things, friends, family, family friends; I ended up with an eclectic mix to draw from.
Then aged 19 at guitar school i became so bored of hearing guitars i wanted something new. I had always loved dressing up and electro pop seemed to give me a perfect scene to explore with artists playing with their image and that drove me on. I started listening to Kraftwerk and a lot of the british early 80s electronic acts and at the same time in the UK clubs like Trash were appearing mixing indie with an electronic tinged feel and put on my eyeliner and glitter and dived straight in. And again simultaneously there was the French invasion with bands like Air releasing stuff. Then Electro-Clash appeared and I loved it.
At about 2001 Indie stopped being so tame, i hated the late 90s indie scene it was so whiney and safe and when bands like the strokes, the white stripes and the Cooper Temple Clause appeared and i was into that too. 
I think i have always looked for music and still do. I want to hear things i don’t know, but i have a tendency to look back for new things rather than at the contemporary scene these days. I do listen to some current acts but would rather take my influences from melding together a wide assortment of different things from the past.
 
 
How would you describe your creative process?
 
It all starts with the concept. My work is incredibly concept driven. I have to have an idea and a project i want to create. That gives me space to start work. For example, my Gallery album was all about trying to turn works of visual art into songs. Either an attempt to create sounds that painted that a picture or to make songs inspired by the art. I then go as far as i can within those limits, but i think it is important to have ideas to start for me. Without that, there is an empty space and that wont encourage me to start strumming a guitar. Once the project is begun, each song will have direction but i also leave lots of space for things to be spontaneous and i try very hard not to edit or limit myself once working. If an idea ends up departing from the original intention as long as the result is good, then I allow it space to grow and breathe. 
So it starts with the idea, then mutates in the process.
I also have a great fear of retreading old ground so often refresh the gear I am using for a new project to force myself to learn new things or to get reacquainted with some old equipment.
 
 
What are you currently working on and what are you planning for the future?
 
I am just finishing off my new album: The Jet Age.
This album is all about the style and look of the jet age. Taking cues from the interiors and films as well as the planes. It has seen a big return to guitars, which i didn’t expect. Since my 3rd EP i have written almost everything on piano and synths and this was a real pivot back.
My original notes for this album said latin beats and percussion sounds, played on 80s drum machines with stylish lyrics  in the style of Cole Porter and Roxy Music plus Velvet Underground guitars. That is probably best realised on the first song recorded for it, Pin Up Queen. After that it has naturally drifted as i get bored of doing the same things. 
Referring back to what I said earlier, I did though buy some old cheap 80s drum machines so that I could learn how to programme them and that has been amazing. As a guitarist, my interaction with drums was saying yes or no to beats the drummer played. Drums and percussion has been a real learning curve as a solo artist, and experimenting with these old machines has been inspiring. Learning something new often creates the best space for me to create as the messing around often takes me to unchartered waters, and that is where the magic is.
I am about to release my new single, Dictatorship of the Air on 5th August on spotify and other streaming services and the Jet Age will be out in September to stream and on limited edition cassette. I love working on the packaging as for me it is part of the whole project.
 
 
 
 
What is the one thing  you would like to tell your fans?
 
Firstly, thank you and i would be flattered to think i had fans. Second, my god they are a discerning and beautiful bunch.
 
 
What is the one thing you would like the music industry to know?
 
Well, I don’t think the music industry in its large corporate form has anything to do with what I or many of my great peers do. But in general, i would like large companies to cease buying up nice things and sucking the love, independence and joy from them. The big companies create zero and profit to the maximum from other people’s ingenuity, sweat and toil. I appreciate that i have critiqued rapacious capitalism here and drifted from the question but the music industry is no different now from any other industry. Perhaps it never was and i am looking to halcyon days that never were.
I am happily able to make music on my own terms. Happy that some people listen and even happier that some like it.
 
 
And that was my chat with Mark Heffernan. I hope you found it as interesting as I did.
Take care and I hope to cya all soon.
 
 
And YOU can find more from Mark Heffernan here
 
 
 
 
 
 
 
Don't forget to Comment, Like and Share with  your friend
Cya next time!
 
 


Av Creative reader - 14 juli 2024 15:12


 

Hi and welcome to "In the Spotlight"

Today I have the HUGE pleasure to introduce you to Jesse Blaze Snider

 

 

 

 

Hi Jesse. Thank you for taking some time for your busy schedule to have this chat with us.

 

My pleasure. Thank you for your time.

 

 

For those that don't know you yet. WHO is Jesse Blaze?

 

Oh my god. lol. What a question. Um…I am. lol.

Who am I? I am a human CareBear, I guess.

I am an enthusiastic participator in life.

I’m a father of four. I’m a huge geek, but I live a rather punk rock lifestyle.

I love people & I’ve long felt like great art brings us together and helps people to feel less alone. So, I’ve pursued a passionate career, in music, comic books & the arts determined to live up to the greatness of all my idols.

However, I hate the system and I’m here to destroy the status quo. I’ve come from a privileged position being raised as the child of a celebrity, I was shown the unreasonable status that society likes to grant to people like that and their associates.

It didn’t take long for me to figure out the next level of privileged position that the ancient families of the old world & the financial elites have created for themselves. And they’ve convinced most people that they’re just these little disempowered ants.

I’m here to empower all of the ants and remind them that there are WAAAAAY MORE ANTS, then the relatively few “grasshoppers” in the upper .00000000000000001% of our society’s financial elite, armed with more money than any normal person could even image. A wealth differential from tiers below them that is so many times greater & larger than the tiers below as to create a cast system that is COMPLETELY IMPENETRABLE!

AWAKENING the WORLD to the INVISIBLE PRISON THEY ARE STUCK WITHIN is my ultimate goal. Or rather, to empower them beyond it & build a better system that works for all.

I’m very community oriented and I simply DO NOT UNDERSTAND AMERICAN SOCIETY. I’m forever guilty like everyone else in American who after being introduced to the idea of homelessness…just accepting it as natural or something. There is NOTHING natural about poverty & suffering.

I live in a war-torn world that acknowledges veteran sacrifice at the beginning of sporting events & on the calendar many times every year, but do NOT actually take care of them. All of our bleeding heart liberal political pundits are that in WORD & NEVER in ACTION.

I’m 41 years old & I see a natural energy in society where we bow down and move aside for our perceived “betters”. I’ve watched this over & over again with majority reactions to celebrities & even me with my lesser celebrity status, but with my connections to much greater celebrities, so no one wants to piss me off, cause they don’t want to lose their access to celebrity. Many people believe they get power from this, it’s a TOTAL ILLUSION.

With great power comes great responsibility and believe I have a duty to dissolve this illusion instead of perpetually taking advantage of it like everyone else does.

We are one. We are equal. We all have unique often untapped value and I want to live in a world where that untapped potential is FULLY REALIZED for EVERYONE.

 

 

 

You both write comics and music. How did that start and where do you find your inspiration? and is there anything else in the creative world you would like to try in the future like writing a book or making a movie?

 

Well, this is a very common misconception about me working in comics, that this is some sort of stepping stone. I love comics books. I do not care what mainstream society thinks about them, I could talk at great length in very convincing & eloquent terms about how comic books are the SINGLE GREATEST ARTISTIC ART FORM on planet Earth.

While I have some minor interest in making comedy films in the future (which has largely been inspired by making comedy music videos for my band D.I.L.F USA & recognizing a real LACK of genuinely funny & interesting comedy films!) I didn’t pick comic books because I didn’t think I could make movies, I chose comic books because I didn’t like all of the EGO that was so clearly crammed into that system.

From the casting couch on down to simply the types of personalities most often drawn to acting, directing (aka ORDERING PEOPLE AROUND) and worse, the business side, the Hollywood business people are the WORST of ALL the business people types. I can feel their self motivation from miles away.

The world of comic books is filled with craftsman. That’s who I like, want to know better & spend my time with. People who work hard their whole lives to perfect a craft (or 2 or 3) because that’s who I am.

I had also chosen geek culture (and being an independent music artist) because the SYSTEM has no interest in us geeks or the indie music scene  and I wanted to influence the subculture & help it grow.

Of course, as is often the case, when the power of comic books & geek culture became known to the establishment money, they took control of it & have been destroying the culture for about a decade now.

So, I mean the differential between what people THINK is REALITY & what reality actually is FEEDS MY ART and it will forever.

Perspective is the greatest gift you can receive.

Great art(music/comic books/whatever) can give you perspective. And I will use its power to continue to grant new perspectives to everyone who discovers my work.

I don’t have much interest in writing a book. I do 4 podcasts a week, “All Your Favorite Bands Suck” (music podcast featuring one of my fav bands every episode), “Coolest Geek Alive” (a twice a week geek culture show highlighting the best & WORST things being done in Hollywood with all our great geek culture ideas) and an esoteric wisdom show called, “Everything They Don’t Want You To Know” (basically teaching people what the Free Masons, Illuminati & other secret cults are teaching their members.), between these 3 shows I feel like I have a pretty good outlet for anything I might put in a book. Type in my name on a iTunes podcasts or Spotify or wherever you listen and you can find my three shows every week like clockwork.

Remember, I believe comic books are the superior artform so books, movies, I don’t really care about them. Music & comic books those are my two deep loves. Even though I do enjoy books, film & TV, but I think there are millions actively trying to pursue interest in those fields, because society has deemed them respectable, while comic books & tons of different genres of music are considered childish or less respectable at the very least. I consider that disrespect towards many artists I admire very deeply and I will change everyone’s perspective as a service to these great artists who have come before me who have deserved more respect for years and years. They will receive it one day. Mark my words.

 

 

 

 

What are you currently working on and what are your plans for the future?

 

Well, my company “black light district studios” is fundraising for our 2nd Kickstarter & 4th project overall, a truly original sci-fi comedy called “Fucking For Our Future” which would be mislabeled an “erotic” comic book, but does use nudity to sell the book.

I think really we made a nude book that appeals to everyone, men & women alike. It’s just a comedy with a premise that revolves around procreation without the eroticism that usually comes from that. Because main characters have a very practical need for sperm, since their cloning machines stopped working. But they don’t have any desire for a man. And seeing as how it’s been 1000 years since any of the men have even seen a woman, they don’t have any desire for them either.

It’s a very interesting science fiction premise executed exactly the way I’d execute any other science fiction premise and I think the more you were immediately turned off by the idea of a book called “Fucking For Our Future” the more you will be shocked to discover what a pleasant surprise it is for anyone.

It’s shocking, but in a very satisfying way.

This will not be the last you hear of us. We’ve got big plans. Continuing to push our independent project like “King of Kings”, “Mythic Legions” or our music/comic book mash up project our company is named for “black light district” is just the beginning. Next step will be some licensing of some major intellectual property that we believe we can do some great work with. And then expansion from there.

D.I.L.F USA is slowly building our touring schedule and honestly the dream that I will be living shortly is…

Podcasting during the week.

Comic Conventions on the weekend.

With DILF USA CONCERTS at VENUES near the Conventions!!

Return home, repeat.

That’s it. A life of work I love. Trust me when I say, when this is finally realized the world will be a better place, filled not just with my stories & music, but the stories & music of all my incredibly talented friends! Many have which have struggled even harder than I have to do what they love for a living. I want this struggle to end for all deserving artists.

 

 

 

 

What is the one thing you want to tell your fans?

 

Thank you. I’m doing this for you. I’m a people pleaser. I got into entertainment to make the audience happy. And I’ve spent my whole life studying specifically what about entertainment really does this for us! Why is something great!? How do we repeat that greatness.

I know the answer now. And I am want to provide you with an endless supply of joyful inspiration.

Just know that by supporting me, you support the whole industry, because I want an industry functioning at the top of its game. I don’t want to be the best because no one can compete. I want a system that makes it easier for everyone to compete at the highest level.

I wanna live in a world where I personally am being inspired constantly all the time by the work of others. None of the entertainment systems in place now are sustainable or built with any notion of protecting its working creative people. The business cares about the business & NOT the people who make the business possible. It’s terrible.

A good Shepard can change all of this

You want better stories? Better songs? Better music? Better bands?!

Help me, help YOU.

Also, that I love you. It’s a thank less job creating things, until people go out of their way to tell you how your work effected them and at that point it becomes the greatest job in the world.

So to my fans I say, thank you for making this the greatest job in the world. It’s all I ever wanted to do.

 

 

 

 

What is the one thing you would like the big labels to know?

 

That they can go fuck themselves & I don’t want nothing to do with them.

There was a time, where maybe they might have tricked me into their demonic cult, when I was looking to be validated by that system.

Who wants to be validated by a system that’s not just broken, but disgusting? Myopic. Idiotic. Amoral. Show them a pic of dick & tell them to choke on it.

I want them to know I’m not for sale. And that my soulful music & that of the artist I produce are going to punch a hole in their system letting all the light IN and when that happens…these VAMPIRE ARE GOONA BURN.

Good riddance.

You want change? Support someone who is INCORRUPTIBLE.

 

 

And that was my chat with Jesse Blaze Snider... I hope you enjoyed it as much as I did.

 

And YOU can find MORE form Jesse Blazer Snider Here

 


https://www.instagram.com/coolestgeekjbs/

 

https://x.com/CoolestGeekJBS

 

https://www.youtube.com/@dilfusa

 

https://thepodcastplayground.com/coolest-geek-alive/

 

https://thepodcastplayground.com/all-your-favorite-bands-suck-w-jesse-blaze-snider/

 

https://www.kickstarter.com/projects/boobies/fucking-for-our-future-adult-sci-fi-waifu-comics-and-cards?ref=user_menu

 

https://bldsts.com/collections/black-light-district-studios

 

 

Don't forget to Comment Like and Share with your friends..

Take care and I hope to Cya soon again

 

 

 

 

 

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A Creative spirit from the north of Sweden
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